October 1, 2020

Edward Supranowicz — Digital Paintings & Drawings

Edward Supranowicz — Digital Paintings & Drawings

Artist’s Statement:I do not believe in formal artist statements. Art should speak for itself, and the artist should maintain a respectful distance and silence. I work intuitively and compulsively, probably believing that there are archetypes that are shared among us all, but amenable to being expressed in one’s own individual style.  I have been doing digital paintings and drawings for the last 10 or so years. It is a good fit to my personality and nature, being able go forward, then back, then back and forward, and not having to worry about wasted canvas. And digital work allows for sharing work with more than one person rather than just one person “owning” a painting. *** Edward Michael Supranowicz is the grandson of Irish and Russian/Ukrainian immigrants. He grew up on a small farm in Appalachia.  He has…

Continue reading →

August 2, 2020

Paulo Navarro — Surrealist Expressionist Paintings

Paulo Navarro — Surrealist Expressionist Paintings

As a university student, Paulo founded his own gallery and art academy. At first it was a children’s art academy (Pintando Ilusiones) and later PHI Gallery, where important established and emerging artists shared the space created by Paulo. This artist also participated in the “Circulo de artistas emergentes,” an emerging group of artists with which he traveled through various Latin American countries representing his nation, and created important exhibitions and artistic cultural projects.  Within this group, he exhibited in Costa Rican spaces as well as other destinations like Nicaragua, Panama, Cuba and Japan. He has also exhibited individually at the University of Costa Rica, at the Creative University. In Nicaragua, he has exhibited individually in the city of Granada in the Gallery of the Casa Los Tres Mundos Foundation. In Mexico, in the city of Monterrey, Nuevo Leon presented a sample of his work at the MuZiak Academy…

Continue reading →

June 1, 2020

Ben Gencarelle: Art’s Irrepressible Strangeness

Ben Gencarelle: Art’s Irrepressible Strangeness

Artist’s Statement: “We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes.”― Madeleine L’Engle In the wrong place, in the wrong time, in the wrong job. Maybe misunderstood, maybe deluded, maybe both. Afraid. Too raw, too ugly, too real. Too much. Maybe you’re an immigrant. Maybe you’re neurodiverse. Maybe you’re both. Whatever you are or are not, the message is clear: you don’t belong here. So it starts. Masking. Crumpling up corners and sanding off edges. Tearing off the “extra” and pasting the scraps over the transparent places. Sometimes it helps. Sometimes you can fool them,…

Continue reading →

May 3, 2020

Mario Loprete — Urban Paintings on Concrete

Mario Loprete — Urban Paintings on Concrete

Mario Loprete Artist’s Statement: I live in a world that i shape at my liking, throughout a virtual pictorial and sculptural movement, transferring my experiences, photographing reality throughout my filters, refined from years research and experimentation.  Painting for me is the first love. An important, pure love. Creating a painting, starting from the spasmodic research of a concept with which I want to send a message to transmit my message, it’s the base of my painting. The sculpture is my lover, my artistic betrayal to the painting. That voluptuous and sensual lover that gives me different emotions, that touches prohibited cords…  The new series of works on concrete it’s the one that is giving me more personal and professional satisfactions. How was it born? It was the result of an important investigation of my work, the research of that “quid” that i felt was missing….

Continue reading →

March 5, 2020

Katherine Coons: An Autobiographical Art Journey

Katherine Coons: An Autobiographical Art Journey

Artist’s Statement: “My work embraces several concepts simultaneously. The images in this proposal portray an autobiographical picture of my life, my travels, and the places that I have inhabited. I make creations that fit my mood, energy, and temperament. My inspiration comes from the nature that surrounds me, and I am deeply influenced by differences of culture, color, and the diversity of attitudes and ideas gleaned from these aspects. Numerous travels abroad to Europe and Asia have greatly influenced my artworks, having spent much time observing different peoples and their cultures.  Documenting my daily thoughts in sketchbooks, and subsequent ruminations on, and drawings from my daily excursions evolve into greater arenas of art making. Collected curios from these places are infused into my mixed media artworks and installations. My creations are derived from these experiences, while my art exhibitions illustrate these memories.” “I am greatly inspired by large, sprawling landscapes such as those of Alaska where I lived for seventeen years. I describe the paintings that evolve from these landscapes as gestural, fleeting sensations of transitory time and place. I would describe my work as expressionistic. Newer paintings include…

Continue reading →

February 6, 2020

Brett Stout – Deep, Dark Paintings

Brett Stout – Deep, Dark Paintings

All images copyright, Brett Stout. *** Brett Stout is a 40-year-old artist and writer. He is a high school dropout and former construction worker turned college graduate and paramedic. He creates mostly controversial work usually while breathing toxic paint fumes from a small cramped apartment known as “The Nerd Lab” in Myrtle Beach, South Carolina. His work has appeared in a vast range of diverse media, from international indie zines like Litro Magazine UK to Brown University. This is his first feature in The Fictional Café.

Continue reading →

January 8, 2020

Amanda Grafe: The Enlightened Paintbrush

Amanda Grafe: The Enlightened Paintbrush

We’re very pleased to introduce Amanda Grafe, an artist, illustrator and author of four books. A Rhode Island native, she holds a M.S. from Johnson & Wales University. We met Amanda at the Rhode Island Author’s Expo in December and were immediately impressed with her creative work. We hope you will be, too. Artist’s Statement (1): Abstract painting allow rules to be bent in ways other art forms cannot. Sticking mainly with oils, but occasionally incorporating other mediums, has given me a chance to selfishly explore, emotionally mend, deconstruct enigmas, and fight against both societal and personal constructs I feel do not serve humanity.  Generally, I prefer not to title my work. Although titles are useful, I believe they can in some instances confine the viewer’s mind, instructing them as to what they should be…

Continue reading →

October 27, 2019

Mind-Melding with Lew Holzman’s Art

Mind-Melding with Lew Holzman’s Art

We’re pleased to showcase Lew’s unique expression of the intersection of photography and painting once again. His work first appeared here, and was featured again in our just-published anthology, The Strong Stuff: The Best of Fictional Café, 2013-2017. Artist’s Statement There are many beautiful or interesting moments that one can capture but we’ve seen many of them too many times. I always attempt to avoid the clichéd. My work is transformational so that we might look again and see things somehow differently. I am trying to blur the distinction between photography and painting with influences mainly from late 19th and 20th-century art movements including Surrealism, Dadaism, and abstract expressionism. *** I have always created either word images in my poetry or visual images. Digital photography expanded my horizons and my transformations transformed me into a…

Continue reading →

September 21, 2019

“My Year in Art,” by Steve Sangapore

“My Year in Art,” by Steve Sangapore

After graduating from college in 2013 with a degree in art, I spent the next five years maintaining a sharp focus on honing my craft as a painter. Countless studio hours were matched with even more time pursuing opportunities, schmoozing with gallerists, and making my presence known within Boston’s, and the greater Northeast’s, vibrant art communities. While each year yielded great leaps in my technical dexterity and academic proficiency as a painter, the art was virtually devoid of the most important component that separates art from craft . . . and I just couldn’t see it. Or, perhaps I could see it—I just didn’t want to. The debates between, “what is good art” and “what is or can be art” have been raging on for years – particularly since the mid-19th century with the birth…

Continue reading →