September 1, 2019

William Wolak, Master of Collage

William Wolak, Master of Collage

Bill Wolak has kindly consented to share his masterful collage works with Fictional Cafe, and we’re delighted to bring his work before you. As his collages take different form and shape depending upon his ideas and materials, so it is with his work and creativity. Titles are displayed beneath images. Bill Wolak teaches creative writing at William Paterson University in Paterson, New Jersey. In addition to creating collages, he is a poet and a photographer. He has just published his fifteenth book of poetry entitled The Nakedness Defense with Ekstasis Editions. His collages have appeared recently in Naked in New Hope 2017; The 2019 Seattle Erotic Art Festival; Poetic Illusion; The Riverside Gallery, Hackensack, NJ; the 2019 Dirty Show in Detroit; 2018 The Rochester Erotic Arts Festival and The 2018 Montreal Erotic Art Festival.  artist photo courtesy India Times

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July 23, 2019

Metamorphosis: Qinrui Chen’s Surrealistic BioArt

Metamorphosis: Qinrui Chen’s Surrealistic BioArt

Fictional Café is pleased to showcase the creative work of up-and-coming Shanghai artist Qinrui Chen. We believe her education in neuroscience adds a quite a unique perspective to her art. Artist’s Statement – “We can’t talk about surrealism without mentioning realism as a reference, like Godzilla and sci-fi – its distinct character is its ‘size of a building’ and fixation on the deconstruction of ‘office space.’ What makes it surreal but still manages to be meaningful is it brings us to reflect on questions of realism: how do we deal with the inner monster, how to seek the individual dream of a powerful superego in a suppressive social-political environment per Godzilla, or strangely per A Hundred Years of Solitude too (to some extent). “So I find the most realism I can: the medical image of…

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June 19, 2019

A Suspension of Disbelief: Lydia Kinney’s Art

A Suspension of Disbelief: Lydia Kinney’s Art

Lydia Kinney lives and works in Greenfield, Massachusetts. She graduated from Massachusetts College of Art and Design in 2014 with a BFA in Painting. Lydia’s work focuses on spatial abstractions, forming tensions of interior/exterior environments. Subjects include windows and pillars into other planes, disintegrating color fields, formally ambiguous confetti, and plays of texture. The Artist’s Statement “My paintings function with haphazard visual structure and a focus on material. The composition is pivoted on stained substrates and poured surfaces. I push the compositions to balance a suspension of disbelief and a tangible acknowledgment of a made object. The dichotomy of drawn and painted treatments takes advantage of the depth and atmosphere implied by wet, amorphous forms and planes. “Rigid lines and shapes encounter these surfaces, holding up, constraining, destabilizing, and contradicting their preceding natural flow. The…

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June 6, 2019

We Would Love To Hear From YOU!

We Would Love To Hear From YOU!

Dear FC Coffee Club members and visitors to our ‘zine, For many years, we weren’t able to permit unfettered comments from you, our members, because the gate to the Comments section was wide open to spam – and boy, did we get it. With the new version of WordPress software, this is no longer the problem it was. Where before you had to have a WordPress account, login and password, now you don’t. We would love to hear from you! All you have to do is drop down to Leave a Reply and type away in the Comments box below. (Don’t forget to click the Post Comment box.) We’ve been testing it, and it works great. The only thing that would make it better is the involvement of our treasured Coffee Club members. So don’t…

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May 12, 2019

Kay Hartung’s Microbial Visions of An Unseen World

Kay Hartung’s Microbial Visions of An Unseen World

With the advancement of science and the ability to view organisms never before seen, Kay Hartung thinks about the great power that such minute things may hold. She contemplates the potential impact of cellular activity on the visible universe and the human species. Over the past two years, she has continued to pursue this interest in her art. I create my own vision of cells, proteins and viruses that don’t actually exist, but are an artistic evolution from familiar forms. I create colonies of cellular shapes that migrate, flow and multiply. The process of painting with encaustic* builds layer upon layer of biomorphic forms, suggesting growth, development and movement. I construct environments for these forms, landscapes in which they can interact. In many of my works you will see that pattern is a predominant characteristic:…

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