August 28, 2023

The Talented Miss Amina Murodova

The Talented Miss Amina Murodova

Amina Murodova is a 14-year-old refugee from the war the despot Vladimir Putin brought down upon Ukraine. She has found her true artistic expression across a wide range of subjects and mediums. She was a student at the famous Kyiv Academy of Arts, beginning when she was six years old – before the war forced her and her mother to flee (with her cat and bunny) to America a year ago, which is certainly a story for another day. Her father has remained, in battle against the Soviet invasion. Amina’s diverse range of work is displayed here, each with its title, medium, and the artist’s age when she created it. Owl; Gouache, 13yo Still Life with Violin Acrylics, 14yo Hurricane Ian Acrylics, 14yo Amina is very dedicated to her art, including the animated movies she…

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August 31, 2022

Martha Clarkson Brings Urban Photography to FC

Martha Clarkson Brings Urban Photography to FC

Artist’s Statement: I photograph in order to apprehend the world in a different way, create a story that has not been told before. It could be any number of things that compel me to take the photo, but I am driven to find the neglected vantage that will facilitate an unexpected story for the beholder, each one a little different. *** Martha Clarkson’s writing and photography can be found in F-Stop, Seattle Review, Portland Review, Black Box Gallery, Tulane Review, Hawaii Pacific Review, The Seattle Times, Feminine Rising, Nimrod, Tipton Poetry Journal, Rattle and many more. “Her Voices, Her Room” won the short story prize from Open City/Anderbo.  She has two notable short stories in Best American Short Stories. Martha attended University of Oregon’s Creative Writing Program, and was a past poetry editor for Word Riot….

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July 1, 2022

“Art as Creative Synergy,” by Hank Keneally

“Art as Creative Synergy,” by Hank Keneally

Artist’s Statement: I am very fortunate. I have always been in the arts. Learning the notes on the piano from my grandmother who was a piano teacher. Listening to classical music that my brother brought before me. Playing instruments. Becoming a photographer. Practicing counseling and social work for 42 years, which I see as another artistic process. Becoming a painter. I create every day. I start with compassionate observation. I always have a camera with me. For me, great things happen where arts merge. I use paint, cameras and digital technologies. I aim for reciprocity between myself and my media. I love to be surprised in the act of creation. My artworks are all a result of these processes.   *** Hank Keneally studied music and photography at Arizona State University, often staying in the dark room overnight…

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October 31, 2021

Edward Michael Supranowicz — Digital Paintings

Edward Michael Supranowicz — Digital Paintings

Artist’s Statement:  I do not believe in formal artist statements. Art should speak for itself, and the artist should maintain a respectful distance and silence. I work intuitively and compulsively, probably believing that there are archetypes that are shared among us all, but amenable to being expressed in one’s own individual style.   I have been doing digital paintings and drawings for the last 10 or so years. It is a good fit to my personality and nature, being able to go forward, then back, then back and forward, and not having to worry about wasted canvas. And digital work allows for sharing work with more than one person rather than just one person “owning” a painting.  *** Edward Michael Supranowicz is the grandson of Irish and Russian/Ukrainian immigrants. He grew up on a small farm in Appalachia. He…

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May 3, 2020

Mario Loprete — Urban Paintings on Concrete

Mario Loprete — Urban Paintings on Concrete

Mario Loprete Artist’s Statement: I live in a world that i shape at my liking, throughout a virtual pictorial and sculptural movement, transferring my experiences, photographing reality throughout my filters, refined from years research and experimentation.  Painting for me is the first love. An important, pure love. Creating a painting, starting from the spasmodic research of a concept with which I want to send a message to transmit my message, it’s the base of my painting. The sculpture is my lover, my artistic betrayal to the painting. That voluptuous and sensual lover that gives me different emotions, that touches prohibited cords…  The new series of works on concrete it’s the one that is giving me more personal and professional satisfactions. How was it born? It was the result of an important investigation of my work, the research of that “quid” that i felt was missing….

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