Botticelli’s Oranges In an Italian port village near where the boy called “Allessandro” grew up, some thought his circles drawn must be made with a mechanical compass, so round, so fine, there in the Mediterranean sand, where Botticelli grew into youth, wandering through the orange and lemon groves of the Italian littoral; even then sketching lines of muscular trunks and extending arms branching into fingers of leaves, mixing into colors of rinds of reds and yellows. But when youthful fingers grew long enough to put a brush to canvas, he tinted the precious fruit In Madonna with Child and Angels, where she sat under blooming orange trees in spring, for the artist used orange trees to symbolize the virgin, because as he said: among fruits, only oranges are evergreen, “if one sees the mean.” So…
“Botticelli’s Oranges,” The Poetry of Reed Venrick
